
Call Me is a Soul & Funk album by Al Green, originally released in 1973. On Gatefold: 65 pressings tracked, owned by 20 collectors.
Sound DNA
- Soul & Funk
- Classic Soul
- warm
- earnest
- soulful
About
Of all the amazing music Al Green made in the 1970s—a run that included singles like “Let’s Stay Together,” “Love and Happiness,” and “Take Me to the River”—nothing in his discography is as complete, nor as complex, as <i>Call Me</i>. By the time of the album’s release in 1973, Green had already proved that soul didn’t have to be effusive to be devastating, and that the true measure of a man’s strength isn’t his power, but his vulnerability and restraint. Some suitors wanted to have you, but Al Green wanted to <i>please</i> you—a quality of devotion that turned conventional gender dynamics inside out, and made his later turn toward Christianity all the more resonant: Even his love songs are worship songs. <i>Call Me</i> isn’t a radical shift so much as it is an enrichment. Green doesn’t just flirt with gospel, he sermonizes (“Jesus Is Waiting”); he doesn’t just embrace his Southernness, he complicates it by pointing out how country and soul come from the same well (“I’m So Lonesome I Could Cry,” “Funny How Time Slips Away”). That adventurousness might explain how <i>Call Me</i> became not only one of Green’s most critically acclaimed efforts, but one of his most commercially successful. Green once said he preferred recording when he was tired, because then he wouldn’t have the wherewithal to hold back how he really felt. It’s a strange image, in a way: The affable, family-friendly showman indulging in personal mysticism to unlock his hidden side. But it also speaks to the supernatural quality in Green’s music that reverberates through Prince, D’Angelo, Erykah Badu, Frank Ocean, and any other artist who’s used the earthiness of everyday experience to discover portals into the unknown. Green’s music is soul, yes—but also seance. “I believe there’s gonna be an explosion,” he sings on “Here I Am (Come and Take Me).” The fountain of whimpers and half-words that comes next isn’t what he promises—it’s quieter, stranger, and less direct. And while you might not know what he’s saying, he makes clear how he feels.
via Apple Music
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Tracklist
Side A
- A1Call Me (Come Back Home)3:03
- A2Have You Been Making Out O.K.3:42
- A3Stand Up3:25
- A4I'm So Lonesome I Could Cry3:10
- A5Your Love Is Like The Morning Sun3:09
Side B
- B1Here I Am (Come And Take Me)4:14
- B2Funny How Time Slips Away5:33
- B3You Ought To Be With Me3:15
- B4Jesus Is Waiting5:36
Credits
Performers
- Charles ChalmersARRANGED BY BACKING VOCALS
- James MitchellARRANGED BY BARITONE SAXOPHONE SAXOPHONE
- Donna RhodesBACKING VOCALS
- Sandra RhodesBACKING VOCALS
- Leroy HodgesBASS
- Al Jackson Jr.DRUMS
- Howard GrimesDRUMS
- Mabon "Teenie" HodgesGUITAR
- Charles HodgesKEYBOARDS ORGAN PIANO
- Archie TurnerPIANO
- The Memphis StringsSTRINGS
- Andrew LoveTENOR SAXOPHONE SAXOPHONE HORNS
- Ed LoganTENOR SAXOPHONE HORNS
- Jack Hale, Sr.TROMBONE HORNS
- Wayne JacksonTRUMPET HORNS
- Al GreenVOCALS
- Rhodes, Chalmers & RhodesBACKING VOCALS
20 collectors on Gatefold own this · 65 pressings tracked on Gatefold
