Fantabulous

Sound DNA

• Jazz
• Big Band & Swing

• clean
• swaggering
• groovy

About

The late composer/arranger and reeds player Oliver Nelson is best known for his 1961 classic, <i>Blues and the Abstract Truth</i>, but he created a number of other fine albums that display his considerable skills. On <i>Fantabulous</i>, recorded in Chicago in 1964, Nelson leads a 12-piece band through six originals. (The album also includes “Daylie’s Double,” a piece by his wife, Audrey, along with a version of Billy Taylor’s “A Bientot.”) Phil Woods, on clarinet and alto sax, and drummer Grady Tate are two of the better-known players here, but the whole band performs with verve and sensitivity. The writing on <i>Fantabulous</i> is full of interesting textures and swinging rhythms, and the solos are top-notch. With its lovely horns and mysterious flutes, “Take Me With You” evokes the lush side of Ellington, while a version of “Teenie’s Blues,” a composition that also appeared on <i>Blues and the Abstract Truth</i>, sounds great in this edgy, large-ensemble version. Nelson blows like mad on the track and one of the disc’s secret weapons — pianist Patti Bown — plays a wild solo.

via Apple Music

Tracklist

Credits