
Southern Accents is a Rock album by Tom Petty And The Heartbreakers, originally released in 1985. On Gatefold: 120 pressings tracked, owned by 29 collectors.
Sound DNA
- Rock
- Southern Rock
- twangy
- nostalgic
- southern
About
What does it mean to come from a place that some people treat as a joke? Despite Tom Petty and the Heartbreakers’ Floridian heritage, the group had never traded on its Southern roots—at least not in the way that, say, Lynyrd Skynyrd and The Allman Brothers had done early in their careers. If anything, Petty’s ability to distill the universality of rock ’n’ roll—that yearning, that rebellion—is part of what made him and the Heartbreakers so successful in the first place. Not just as a band, but as ambassadors of an idealized America—one unbroken by North and South, rich and poor, and so on. But by the mid-1980s, after a break from nearly a decade’s worth of touring and recording, Petty had some time to reflect on the life he’d left behind in Florida. Parts of <i>Southern Accents</i> are explicit: the billboard-sized “born in Dixie” chants of “Rebels,” the homily of “Southern Accents”—you don’t have to stretch too hard to figure out what’s on Petty’s mind. But the South, in Petty’s terms, is also a metaphor for pride, stubbornness, and self-reliance—traits that had played a big role in Petty’s early-1980s scraps with the record industry. That Southern determination can be menacing, too, as evidenced by the dark “Don’t Come Around Here No More”—an anachronistically synthy track written and produced with Dave Stewart of the Eurythmics (it became one of Petty’s biggest 1980s hits, thanks in part to its devilishly clever video). Never mind that David Farragut, the Naval officer who first used the phrase “Damn the torpedoes,” fought for the Union, not the Confederacy: The “Southern” on <i>Southern Accents</i> represents the parts of us that persist even when we’re pretty sure we might lose. Still, maybe Petty should have known better. The album used the Confederate flag in marketing materials, a door he later regretted opening (and one that, in 2020, prompted local discussion of whether Gainesville’s Tom Petty Park should be renamed in memory of Juneteenth). Petty was right to note that all rock is, on some genetic level, Southern rock. But the history is too bloody to be left at that. Still, the album’s contrasts—between warmth and defiance, between being welcoming and provincial—makes <i>Southern Accents</i> one of the more striking and unexpected albums Petty and the Heartbreakers band ever made.
via Apple Music
The Clerk's got thoughts on this one. Mosh members get the full take →
Tracklist
Side A
- A1Rebels5:20
- A2It Ain't Nothin' To Me5:10
- A3Don't Come Around Here No More5:06
- A4Southern Accents4:42
Side B
- B1Make It Better4:17
- B2Spike3:32
- B3Dogs On The Run3:39
- B4Mary's New Car3:45
- B5The Best Of Everything3:59
Credits
Performers
- Ron BlairBASS
- Stan LynchDRUMS VOCALS PERCUSSION
- Mike CampbellGUITAR BASS KEYBOARDS
- Tom PettyGUITAR VOCALS TWELVE-STRING GUITAR
- Richard ManuelHARMONY VOCALS
- Benmont TenchKEYBOARDS PIANO ELECTRIC PIANO
- Garth HudsonKEYBOARDS
- Jim KeltnerPERCUSSION
- The Heart Attack HornsHORNS
- Bill BergmanHORNS TENOR SAXOPHONE
- Jim CoileHORNS TENOR SAXOPHONE
- John BerryHORNS HORN
- Kurt McGettrickHORNS
- Rick BraunHORNS TRUMPET
- Malcolm DuncanSAXOPHONE
- Bobbye HallTAMBOURINE
- Dave PlewsTRUMPET
- Howie EpsteinVOCALS BASS HARMONY VOCALS
29 collectors on Gatefold own this · 120 pressings tracked on Gatefold
