Album
Cut The World
2012 · Rock
Rare pressing on Gatefold

Cut The World is a Rock album by Antony And The Johnsons, originally released in 2012. On Gatefold: 8 pressings tracked.
About
Recorded live over two nights at Copenhagen's DK Concert Hall with the 60-piece Danish National Chamber Orchestra, <i>Cut the World</i> is ANOHNI's most consistent album to date. It opens with a wistful song written for a Robert Wilson stage production. The album then rearranges 10 other tunes from the band's catalog until they flow as one massive sequence. "Future Feminism" is a seven-and-a-half-minute spoken-word piece with no instrumental backing that breaks the flow at the onset. However, with the "Cripple and the Starfish," the reinvention becomes clear. Woodwinds, brass, strings, and pianos combine with ANOHNI's heavenly voice to transform "You Are My Sister," "Swanlights," and "I Fell in Love with a Dead Boy" into cinematic soundscapes worthy of an Ingmar Bergman film. For "Another World," ANOHNI sings as an environmentalist watching a world gone wrong, with simple piano accompaniment. It's a career highlight, though it's only a matter of time before she, with or without her backing group, finds a way to surpass it.
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
Side A
- A1Cut The World
- A2Future Feminism
Side B
- B1Cripple And The Starfish
- B2You Are My Sister
- B3Swanlights
Side C
- C1Epilepsy Is Dancing
- C2Another World
- C3Kiss My Name
- C4I Fell In Love With A Dead Boy
Side D
- D1Rapture
- D2The Crying Light
- D3Twilight
Sound DNA
- Rock
- Art Rock
- cinematic
Credits
The people behind it.
Performers
- DR RadioUnderholdningsOrkestretORCHESTRA
- Erik HeideVIOLIN
- Rob MooseCONDUCTOR
- Thomas BartlettPIANO
Rare pressing on Gatefold · 8 pressings tracked on Gatefold
Start your shelf.
Track your pressings of Cut The World, get the Clerk's take, and see what the record is worth — free.
Start your shelf →Free forever. Works with 10 records or 10,000.
