Album
Get Weird
2015 · Electronic, Funk / Soul
Rare pressing on Gatefold

Get Weird is a Pop album by Little Mix, originally released in 2015. On Gatefold: 18 pressings tracked.
About
While Little Mix’s musical output has always transcended its talent-show beginning, there were moments during the group’s early years when it felt like the members were stuck on a pop conveyer belt. Little Mix’s 2012 debut, <i>DNA</i>, was released less than a year after the group won the top prize on the British version of <i>The X Factor</i>; a follow-up album, <i>Salute</i>, arrived not long afterward. So far, so seamle. But Little Mix’s third effort, <i>Get Weird</i>, was held up for a year—with the band members later revealing that nearly an album’s worth of material had been scrapped along the way. Still, while the protracted recording of <i>Get Weird</i> was unusually tortuou, you wouldn’t know it from listening to the record. Unlike the moodier, more experimental <i>Salute</i>, the light and buoyant <i>Get Weird</i> finds the band members leaning into a pure pop sensibility. The lead single, “Black Magic,” has the effervescent bounce of 1980s teen pop, featuring a killer chorus and an instantly catchy call-and-response bridge (“All the girls on the block knocking at my door (I got the recipe)/Wanna know what it i, make the boys want more (Now you belong to me)”). “Black Magic” doesn’t reinvent the wheel. But the song stormed the charts and solidified Little Mix’s status as the globe’s most reliable hitmaking girl band. And there are plenty of hits to be found on <i>Get Weird</i>. While previous Little Mix singles owed a debt to En Vogue and Destiny’s Child, “Love Me Like You” harks further back, with its harmonized “Sha-la-la-la” verses and doo-wop stylings recalling The Ronettes and The Supreme. But if “Love Me Like You” features a retro sound, its lyrics are surprisingly suggestive: “Used to get it when I wa-a-ant…Now I’m dealin’ with these bo-o-oys/When I really need a man who can do it like I can.” Things escalate even more on the naughty “A.D.I.D.A.S.,” which features such to-the-point lines a, “Excuse me, do me or lose me/Get me to the bedroom, do your duty.” When pop groups try to grow up with their fanbase, the results often come off as contrived; on <i>Get Weird</i>, though, such diversions are executed with a welcome, knowing wink. .
via Apple Music
The Clerk says
The Clerk knows this whole record — the pressing quirks, the credits, the take.
Tracklist
- 1Black Magic3:31
- 2Love Me Like You3:17
- 3Weird People3:31
- 4Secret Love Song (feat. Jason Derulo)4:09
- 5Hair3:29
- 6Grown2:36
- 7I Love You4:09
- 8OMG3:23
- 9Lightning5:12
- 10A.D.I.D.A.S.3:22
- 11Love Me Or Leave Me3:26
- 12The End2:12
- 13I Won't3:17
- 14Secret Love Song, Pt. II4:26
- 15Clued Up4:06
- 16The Beginning1:33
Sound DNA
- Pop
- Dance-Pop
- polished
- euphoric
- hedonistic
Credits
The people behind it.
Performers
- Jade ThirlwallVOCALS
- Jesy NelsonVOCALS
- Leigh-Anne PinnockVOCALS
- Perrie EdwardsVOCALS
- Camille PurcellBACKING VOCALS
- Edvard Førre ErfjordPROGRAMMED BY BACKING VOCALS
- Henrik Barman MichelsenPROGRAMMED BY BACKING VOCALS
- Matt RadosevichPROGRAMMED BY BACKING VOCALS ARRANGED BY
- Chris LawsDRUMS
- Paul GendlerGUITAR
- Steve MacKEYBOARDS
- Daniel PurseyPERCUSSION
- DuvallBACKING VOCALS PROGRAMMED BY
- Ed DrewettBACKING VOCALS
- Lachie ChapmanBACKING VOCALS
- Jayson DeZuzioPROGRAMMED BY
- Jason DeruloFEATURING VOCALS
- Janée BennettBACKING VOCALS
Rare pressing on Gatefold · 18 pressings tracked on Gatefold
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