Rushmere

About

For their first album in seven year, and first as a trio, the British folk-rockers Mumford & Sons went back to their root. <i>RUSHMERE</i>, their fifth album, is named after the pub in southwest London where Marcus Mumford, Ted Dwane, and Ben Lovett first got to know each other as friends and eventual creative collaborator. They were humble day, coming years before tracks like “Little Lion Man” helped define a strand of optimistic folk pop that dominated the early 2010s and influenced 2020s stadium-fillers like Noah Kahan and Zach Bryan. <i>RUSHMERE</i> pulls back from the pomp and splendor of folk-rock stardom and gets back to basics: furiously played guitars and rousing vocal harmonie, with Marcus Mumford’s sincere, resolute burr leading the way. Produced by Nashville straight-shooter Dave Cobb, who’s known for his unfussy, song-forward approach to the studio, <i>RUSHMERE</i> places the powerful songwriting and strong musical chemistry of Mumford & Sons front and center. “Monochrome” is a hushed hymn to a long-gone muse, with Mumford rueful about time’s passage yet generous to someone who has faded to “monochrome out of sight.” The stirring “Surrender” is propelled by stomps and strummed string, moving briskly forward even as Mumford sings of his world-wearine. “Blood on the Page,” a collaboration with next-generation folk-rocker Madison Cunningham, is delicate and ghostly in a way that amplifies the pain in its lyric. .

via Apple Music

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