The Death Of Slim Shady (Coup De Grâce)

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Whether as Marshall Mathers or Slim Shady, Eminem never fails to make a strong impression. His discography regularly documents a struggle between the Detroit-bred rap superstar’s two outspoken persona, an artistic battle followed closely by his most ardent and attentive fan, while pitchfork-wielding outsiders and his more casual listeners never bothered to discern the difference. The willfully profane Slim and the comparatively less sacrilegious Marshall compose a dramaturgical dyad that makes each of his album releases feel like blockbuster. That said, the stakes feel dramatically high on <i>The Death of Slim Shady (Coup De Grâce)</i>, its title the most thematically loaded of his two-and-a-half-decade career. If this does end up the genuine final curtain call for Eminem’s most notorious alter ego, he makes it a point to execute it on his own controversy-baiting term, whether people like it or not. Addressing his detractors head-on, “Habits” defensively dismantles criticisms both internal and external, taking personal inventory while decrying political correctne. Cancel culture and wokeness as existential threats stay front of mind throughout, looming particularly large over the combative “Antichrist” and the Dr. Dre co-produced “Lucifer.” Repeated references to Caitlyn Jenner won’t quell the perpetual transphobia accusations Eminem has long faced, but on songs like “Evil” and “Road Rage” he at least aims to clarify his positions amid his characteristically clever wordplay. .

via Apple Music

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