Erin Anne

Influences

• Liz Phair — The deadpan vocal delivery and dry, unadorned electric guitar work on "Do Your Worst" directly pull from the low-fidelity template of Girly-Sound. You hear it in the blunt lyricism and the refusal to sweeten the vocal track with studio magic. It is the same bedroom-as-confessional approach that defined early nineties indie rock.
• St. Vincent — The angular, slightly glitched guitar tones and processed electronic backing tracks echo the early self-produced work of Annie Clark. You hear this influence in the sharp, sudden guitar stabs that disrupt the steady bedroom-pop tempo. It is a calculated use of digital harshness to offset a melodic vocal line.
• Fiona Apple — The percussive, rhythmic vocal delivery and the themes of domestic confrontation on "Do Your Worst" mirror the confrontational writing style of Apple's late-career work. The influence is clear in the way the vocal melody mimics the rhythm track, turning the lyrics themselves into a percussion instrument. It is a masterclass in tension over release.
• Sleater-Kinney — The raw, buzzing guitar tone and punk-adjacent energy in the choruses draw directly from the dual-guitar attack of the Pacific Northwest riot grrrl scene. You hear it in the way the guitar parts fight against the electronic drum beat, creating a tense, push-and-pull dynamic. It keeps the bedroom pop format from sounding too passive.
• Julien Baker — The stark, loop-based layering of electric guitars and the intensely personal, diary-entry style of lyric writing trace back to the template established on Sprained Ankle. The influence shows up in the way a simple guitar phrase is looped and built upon until it carries the weight of an entire band. It is minimalism used as a heavy weapon.