Artist
Temples
Avalon Kalin
Portland
Temples is a musician from Portland. Their discography on Gatefold includes 7 records.
7
Albums tracked
37
In collections
—
Since
Biography
1) Temples consist of lead singer/guitarist James Edward Bagshaw, bassist Tom Walmsley, drummer Rens Ottink and keyboardist Adam Smith. The Kettering band released their debut album Sun Structures on 10th February 2014, including the singles Shelter Song, Keep in the Dark, Colours to Life and Mezmerise. The four-piece have supported Interpol, Suede, The Vaccines and Kasabian. 2) Temples is the name under which Avalon Kalin produces spacious house tunes.
The Arc of Temples
The pivots — what forced Temples to reinvent.
The Kettering Homebrew
Bagshaw and Thomas Walmsley built the foundation of the band by self-producing their debut in a residential house rather than a pro facility. By keeping the process internal, they maintained total control over the specific, washed-out vocal harmonies and the heavy compression on the drums that defined their early identity. You hear it in the way 'Shelter Song' feels dense but airy, a result of digital recording being pushed to mimic the warmth of a vintage four-track. It turned a small-town project into a global psych-rock touchstone almost overnight.
The Synth Experiment
For the follow-up Volcano, the band leaned away from the Byrds-inspired Rickenbacker jangle and brought in more prominent oscillators and electronic textures. This shift was a conscious effort to distance themselves from the 1960s comparisons that dominated their first press cycle. The result was a glossier, punchier record that traded some of the hazy atmosphere for direct pop structures. While it divided the purists, it showed a band trying to navigate the trap of being a heritage-act-in-waiting.
The Sean Lennon Sessions
Moving the operation to New York to work with Sean Lennon at his Simian Hollow studio for Exotico brought back the maximalist psych-pop energy. Lennon’s stash of vintage gear and his shared obsession with 70s baroque-pop production helped the band expand their palette without losing the core melody. Dave Fridmann came in for the mix, adding his signature distorted low-end and wide stereo field. This era represents the band finally embracing high-fidelity studio wizardry to match their ambition.
Influences
- The Byrds — Bagshaw has explicitly cited the 'Jingle Jangle' sound of Roger McGuinn's 12-string Rickenbacker as the blueprint for their early tracks. You hear it in the opening riff of 'Shelter Song' which is a direct spiritual descendant of 'Eight Miles High.' It’s the DNA of their entire harmonic structure.
- T. Rex — The band frequently points to Marc Bolan’s production style, specifically the dry, upfront vocal delivery and the glam-stomp rhythm section. 'Keep in the Dark' lifts that specific boogie-rock shuffle that Tony Visconti perfected on Electric Warrior. It’s psych with a leather jacket on.
- The Beatles — The vocal arrangements are heavily indebted to the Revolver-era sessions, particularly the ADT (Artificial Double Tracking) techniques used on John Lennon's voice. They use these harmonies to fill the frequency gaps where a second guitar would usually sit. It gives their live sound a massive, choral weight.
- The Zombies — The minor-key melodic shifts and heavy use of Mellotron-style keyboard pads come straight from the Odessey and Oracle playbook. Temples took the sophisticated pop sensibilities of Rod Argent and applied them to a modern pedalboard. It’s where they get that eerie, English countryside atmosphere.
- Pink Floyd — Early Syd Barrett-era Floyd is the source code for their more whimsical, tripped-out lyrical themes and episodic song structures. They’ve covered 'Arnold Layne' live, showcasing their reverence for that specific brand of British psychedelia. It’s the bridge between their pop hooks and their longer, improvisational jams.
Discography
Their records — most-collected first.
Around the web
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