Artist
The Last Shadow Puppets
Sheffield, United Kingdom · Formed 2007
The Last Shadow Puppets is a music group from Sheffield, United Kingdom, active since 2007. Their discography on Gatefold includes 5 records.
5
Albums tracked
66
In collections
2007
Since
Biography
They dragged producer James Ford out to Studio Black Box in the Loire Valley in August 2007, stripped out the modern indie-rock safety net, and decided two twenty-one-year-olds could resurrect sixties cinematic pop. Alex Turner and Miles Kane were running away from the suffocating hype of their day jobs. The secret weapon wasn't their guitars, though — it was Owen Pallett scoring lush, hyper-dramatic arrangements for the London Metropolitan Orchestra over tight garage grooves. Most side projects are lazy excuses to burn off B-sides. This one showed up in tailored suits, backed by a 22-piece string section, daring anyone to laugh. The trick worked because neither of them treated it like a fucking lark. The vocal trade-offs were razor-sharp, the drums swung like old Motown, and Pallett’s strings gave their teenage melodrama real, cinematic gravitas. By the time they packed it in after an eight-year gap and a greasy second run, it was clear: this wasn't just a detour, it was the sandbox where Turner learned how to croon before remaking his main band in his own loungy image.
Bio from The Clerk
The Arc of The Last Shadow Puppets
The pivots — what forced The Last Shadow Puppets to reinvent.
Scott Walker Cosplay in the Loire Valley
Turner and Kane escaped the UK spotlight in late 2007 by decamping to France with producer James Ford handling both the desk and the drum kit. The resulting 2008 debut, The Age Of The Understatement, swapped gritty northern guitar riffs for sweeping spaghetti-western drama and Owen Pallett's frantic string charts. Tracks like 'Standing Next to Me' and 'My Mistakes Were Made for You' proved their obsessive record-nerd appetite for sixties melodrama was dead serious. It hit number one out of the gate, picked up a Mercury nomination, and set an impossibly high bar for side projects.
The Malibu Seduction
After nearly eight years away running Arctic Monkeys and solo tours, the duo reconvened at Shangri-La studios in Malibu with Ford and new recruit Zachary Dawes of Mini Mansions on bass. The 2016 follow-up, Everything You’ve Come to Expect, ditched the teenage kitchen-sink intensity for a sleeker, sun-drenched cocktail of orchestral soul and psych-funk. Turner's delivery traded pure adrenaline for a drawn-out, swaggering croon on tracks like 'Aviation' and the feverish single 'Bad Habits'. It brought another UK chart-topper, trading romanticized British angst for Hollywood sheen.
The Shangri-La Hangover
Rather than milking the album cycle into a stadium victory lap, they closed out 2016 by stripping down to brass tacks. Dropping The Dream Synopsis EP that December, they cut live-in-the-studio takes at Future-Past Studios along with offbeat covers of Leonard Cohen and The Fall. It captured the duo at their loosest and most unpolished, free of the massive orchestral staging. They promptly shelved the act again right after, slipping back into indefinite cold storage while Turner carried the newfound crooner shtick straight into his main gig.
Influences
- Scott Walker — Turner and Kane cited Walker's solo run—specifically Walker 1 through 4—as the prime catalyst for cutting their debut. You hear it across every sweeping string hit and brooding vocal inflection on 'The Age of the Understatement'. He gave them permission to abandon garage rock for total orchestral melodrama.
- Ennio Morricone — The duo explicitly wanted spaghetti-western tension behind their drum beats, handing Owen Pallett Morricone scores as arrangements homework. You can trace that cinematic, dry acoustic strumming and galloping brass directly through 'Calm Like You'. It turns cheap romantic friction into a panoramic shoot-out.
- David Bowie — Bowie's theatrical, mid-seventies swagger provided the blueprint for their entire dual-frontman stage persona and lounge-heavy vocal delivery. They even committed their obsession to tape by regularly covering 'In the Heat of the Morning' during their 2008 tour dates. His DNA is all over the theatrical vocal layering on 'My Mistakes Were Made for You'.
- The Fall — Mark E. Smith's abrasive post-punk sneer served as the deliberate counterweight to their polished, tailored aesthetic. They proved the connection directly by covering 'Totally Wired' on their 2016 EP The Dream Synopsis. That barbed, aggressive push-and-pull keeps tracks like 'Bad Habits' from turning into soft-shoe parody.
- Leonard Cohen — Cohen's cynical, smoky delivery was a massive influence on the duo's later, lower-register vocal arrangements. They paid explicit tribute by recording 'Is This What You Wanted' as the centerpiece cover on The Dream Synopsis. You can hear that dry, lounge-room weariness creeping into every slow-burning verse on Everything You've Come to Expect.
Discography
Their records — most-collected first.
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