Trettmann

Influences

• Super Cat — Trettmann learned vocal pacing and rhythmic cadence by dissecting 80s and 90s Jamaican dancehall sound clashes tape by tape. You hear that rapid-fire, off-beat deejay phrasing sitting just underneath the surface of his slower modern trap deliveries. It gave him an authentic rhythmic foundation that standard German rappers never had.
• Buju Banton — Banton's raspy roar and transition from raw party slackness into deep roots consciousness provided the explicit template for Trettmann's early sound system sets. That gravelly chest resonance is what keeps his heavily processed vocal chain from sounding thin on record. It is raw Kingston gravel run through modern German engineering.
• Seeed — Seeed showed German-speaking artists in the early 2000s that Jamaican riddims could be adapted to local urban culture without losing low-end punch. Trettmann cut his teeth in that exact era, sharing bills and learning how to project over heavy horn-and-sub bass arrangements. Their crossover opened the club doors that he kicked in years later.
• King Tubby — Tubby's philosophy of subtraction—dropping the track out to just snare reverb, delay, and sub-bass—is the direct structural foundation of Trettmann's arrangements. You hear the dub spacing in the vast, empty pockets left open for his vocals on '#DIY'. The silence does just as much work as the beat.
• Advanced Chemistry — Torch and Toni-L proved in the early 90s that German-language street lyricism could carry real political and social weight. Trettmann took that East German post-reunification reality and applied their blunt, unvarnished perspective to his verses. It kept his songwriting grounded in working-class grit rather than industry glamour.