Artist

White Hex

White Hex is a music group. Their discography on Gatefold includes 2 records.

Photo of White Hex

2

Albums tracked

2

In collections

—

Since

Biography

Cheap analog gear, icy drum machines, and zero interest in clean studio sheen. White Hex came out of the Melbourne underground operating on pure minimalism. Jimi Kritzler brought the blown-out, jagged guitar scratch from his garage punk days, while Tara Green locked down the deadpan vocal cool and rigid synth pulses. They didn't stick around long enough to water down the formula. In 2014, they dropped a tight burst of material that bridged Australian DIY punk with dark, European minimal wave before vanishing into the tape vaults. No bloated major label bloat, no tedious reunion tours. Just two records and out.

Bio from The Clerk

The Arc of White Hex

The pivots — what forced White Hex to reinvent.

  1. The Cold Melbourne Wave

    Kritzler stepped away from the raw noise of his earlier bands to build a minimal wave project alongside Green with simple drum boxes and icy synthesizers. The result was 2014's Heat and the Gold Nights material, stripping dark post-punk down to its bare skeletal frame. It captures a specific Melbourne DIY era where basement punk and warehouse electronic music shared the exact same scuzzy bills.

Influences

  • Cocteau Twins — Kritzler repeatedly cited early 4AD acts and Robin Guthrie's heavily treated guitar textures as the foundation for his own washed-out, chorus-soaked playing. You can hear it all over the atmospheric layers hovering above the drum tracks. It gave their bare-bones synth setup a lush, eerie counterweight.
  • New Order — The direct lineage traces right back to the machine rhythms and deadpan delivery of early Factory Records cuts. The reliance on programmed percussion driving tight, melodic guitar hooks is classic Movement-era songwriting. It is the rhythmic engine that keeps their tracks moving forward.
  • Suicide — The foundational blueprint of combining a live instrument with a relentless, cheap drum machine comes straight from Martin Rev and Alan Vega. The repetitive, hypnotic pulse running beneath Green's detached vocals is pure downtown New York synth-punk. They took that claustrophobic aesthetic and applied it to Melbourne lo-fi.
  • The Cure — The bleak, flanged guitar chords and sparse arrangements mirror the early 1980s Seventeen Seconds period. You hear that cold restraint in the way the guitars frame the vocals instead of taking over the mix. It keeps the tracks sparse, gloomy, and direct.
  • Total Control — Melbourne scene roots tied White Hex directly to the lineage of local punks pivoting to cold, synth-driven electronics. The blend of DIY hardcore grit with drum-box post-punk was pioneered in real-time across the same Australian underground circuit. You hear that punk bite driving every synth pulse.

Discography

Their records — most-collected first.

Around the web

Follow every record they touch.

Start your shelf and Gatefold tracks White Hex's new pressings, tour dates, and the whole discography — automatically.

Start your shelf →

Free forever. Works with 10 records or 10,000.