Performance · Other credits

Hector Berlioz

French composer

La Côte-Saint-André, France · 1803-12-11 – 1869-03-08

Hector Berlioz is credited on 8,171 releases across 1,434 albums tracked on Gatefold, active 1950–2026 — the collector-built map of who actually made the music.

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Photo of Hector Berlioz

8,171

Pressings credited

1,434

Albums

8

Decades active

54

In collections

Biography

Louis-Hector Berlioz (11 December 1803 – 8 March 1869) was a French Romantic composer, conductor and critic. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens and Béatrice et Bénédict, and works of hybrid genres such as the "dramatic symphony" Roméo et Juliette and the "dramatic legend" La Damnation de Faust. The elder son of a provincial physician, Berlioz was expected to follow his father into medicine, and he attended a Parisian medical college before defying his family by taking up music as a profession. His independence of mind and refusal to follow traditional rules and formulas put him at odds with the conservative musical establishment of Paris. He briefly moderated his style sufficiently to win France's premier music prize – the Prix de Rome – in 1830, but he learned little from the academics of the Paris Conservatoire. Opinion was divided for many years between those who thought him an original genius and those who viewed his music as lacking in form and coherence. At the age of twenty-four Berlioz fell in love with the Irish Shakespearean actress Harriet Smithson, and he pursued her obsessively until she finally accepted him seven years later. Their marriage was happy at first but eventually foundered. Harriet inspired his first major success, the Symphonie fantastique, in which an idealised depiction of her occurs throughout as an idée fixe. Berlioz completed three operas, the first of which, Benvenuto Cellini, was an outright failure. The second, the epic Les Troyens (The Trojans), was so large in scale that it was never staged in its entirety during his lifetime. His last opera, Béatrice et Bénédict – based on Shakespeare's comedy Much Ado About Nothing – was a success at its premiere but did not enter the regular operatic repertoire. Meeting only occasional success in France as a composer, Berlioz incre

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Credited work

8,171 releases · 1,434 albums · active 1950–2026

  • Performance · 9,128
  • Other credits · 468

Studios: Kingsway Hall · Abbey Road Studios · Symphony Hall, Boston · All Saints Church Petersham

Discography

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