Performance · Other credits

Sammy Fain

real name Samuel E. Feinberg

Sammy Fain is credited on 12,731 releases across 3,239 albums tracked on Gatefold, active 1950–2026 — the collector-built map of who actually made the music.

12,731

Credits

3,239

Albums

8

Decades active

770

In collections

Biography

source

Showing the Discogs bio

American composer of popular music (AKA Sam E. Fein) and occasional vocalist.
Born: 17 June 1902 in NYC, New York, USA.
Died: 6 December 1989 in Los Angeles, California, USA (aged 87).
Fain worked extensively in collaboration with Irving Kahal. Together they wrote classics such as "Let A Smile Be Your Umbrella". Another lyricist who collaborated with Fain was Lew Brown, with whom he wrote "That Old Feeling". His Broadway credits also include "Everybody's Welcome", "Right This Way", "Hellzapoppin'", "I'll Be Seeing You", "Flahooley", "Ankles Aweigh", "Christine", and "Something More".
Fain also composed music for more than 30 films in the 1930s to 1950s. He was nominated for the best Original Song Oscar nine times, winning twice, with "Secret Love" from "Calamity Jane" in 1954 and with "Love Is A Many-Splendored Thing" from the movie of the same title in 1955. Fain wrote the second theme to the TV series "Wagon Train" in 1958, which was called "(Roll Along) Wagon Train". He co-wrote both songs with Paul Francis Webster, another long-time collaborator.
He also contributed to the song scores for the animated films "Walt Disney's Alice In Wonderland (UK 2006) (opens in a new tab)" (1951), and other Walt Disney films "Peter Pan" (1963), and "The Rescuers" (1977).
Fain died of a heart attack in Los Angeles, California, and is interred at Cedar Park Cemetery, in Emerson, New Jersey.
Inducted into the Songwriters Hall Of Fame in 1972.

Bio from Discogs

Credited work

12,731 releases · 3,239 albums · active 1950–2026

  • Performance · 14,083
  • Other credits · 834

Studios: Village Vanguard · Webster Hall · Capitol Studios · Van Gelder Studio, Hackensack, New Jersey

Discography

Records they worked on — most-collected first.

Frequent collaborators

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