What's Going On / Let's Get It On

About

What do you do for an encore after you’ve just released a certified, game-changing masterpiece? That was the challenge facing Motown maestro Marvin Gaye after his <i>What’s Going On</i> opus was released in 1971. After 1972’s <i>Trouble Man</i> soundtrack, <i>Let’s Get It On</i> was the proper follow-up to one of the greatest albums of all time. But instead of suffering a seemingly inevitable letdown under the weight of all that pressure, Gaye leveled up again to make back-to-back classic. Indeed, <i>Let’s Get It On</i> defined the R&B concept album every bit as much as <i>What’s Going On</i> did, trading social consciousness for sexual healing in turbulent, soul-testing time. It was a different kind of wokeness—raising your libido between the sheets instead of your fist out in the streets—but no less revolutionary. There is no foreplay along this journey to erotic enlightenment. The album makes its intimate intentions clear from the first notes of the testosterone-charged title track, as Gaye comes on strong with a swag and swerve unheard in his earlier Motown material. But while there is a gritty sexuality that doesn’t leave much to the imagination, there is also a gospel spirituality climaxing with a “sanctified” rapture that blurs the lines between raunch and religion in a way that would inspire generations of other soul stud, from Prince to D’Angelo. But just like <i>What’s Going On</i>, <i>Let’s Get It On</i>—over its concise, cohesive 32 minutes—was a soul symphony bigger than any one song, as Gaye had evolved from a singles machine at Motown’s hit factory to a visionary album artist producing his own work (here, with Ed Townsend). When “Keep Gettin’ It On” takes you back to the title tune in a quasi-reprise midway through the LP, it’s like an unexpected arousal from a post-coital crash for another steamy session. .

via Apple Music

The Clerk says

Start your shelf to read the full take →