The ringleader. Scatters your collection across all eight, then feeds you back whatever keeps you scrolling.
How Gatefold cuts the strings
Gatefold cuts the strings. One shelf, your order.
Now spinning on iOS · Android · WebFree forever
Vinyl, CDs, tapes, streaming — one shelf. A snarky Clerk who hands you a record every night.
You own 1,247 records and three nights a week you stand in front of them, paralysed, queueing up the same Beatles record like an absolute animal. We made an app for that.
The Clerk picks one. One. Based on the weather, what you played last Tuesday, the fact that it's a Dan the Automator anniversary nobody else remembers, and the small, undeniable fact that you have not touched Demon Days in 114 days. He's not surfacing content he's handing you a proper record.
He also reads liner notes, knows the pressing plant, remembers the deadwax, and will take the piss out of your three Ween LPs without Chocolate and Cheese if you give him half a chance.









I see you've got three Ween albums but no Chocolate and Cheese? That's like building a house and forgetting the roof. "Voodoo Lady" alone justifies the purchase. Sort it out.
Your collection is held hostage, scattered across a dozen single-purpose apps that never talk to each other. We rounded up the usual suspects.
The ringleader. Scatters your collection across all eight, then feeds you back whatever keeps you scrolling.
How Gatefold cuts the strings
Gatefold cuts the strings. One shelf, your order.
02 / FREED HOSTAGES
01 / Spin of the Day
Weather, anniversaries, last Tuesday's spins, the LP you've dodged for 114 days. Not random, not the whole internet's algorithm. Trained on your shelf — holidays included.
02 / Recommendations
Every pick anchors to a real link — a shared producer, a session player, a label-mate, a sample. Never 'similar vibes,' never what a label paid to surface.
03 / One Shelf
Vinyl, CDs, tapes and digital on one shelf. Pipe Apple Music or Tidal over the records you actually own — free of the feed that keeps nudging you somewhere weird.
04 / Record-Store Mode
Scan the barcode, Shazam the track, or snap the cover. Get the Clerk's verdict, the pressing, the price — and a straight answer on whether it's already on your shelf. We degens forget.
05 / The Hunt
New releases sorted by the artists actually on your shelf — not what a label paid to surface. Plus tour alerts for anyone you've got more than a couple records by.
06 / Marquee mode
Prop a tablet by the hi-fi and it runs the whole show: a now-playing visual, social sharing, metadata, facts and lore, and your cartridge wear hours. GA limited, Pro unlimited.
GA: limited · Pro: unlimited
07 / CarPlay and Android Auto
Ask for a record, a deep cut, or just 'something good for this drive.' Snark, recommendations and collection curation — all by voice. GA limited, Pro unlimited.
GA: limited · Pro: unlimited
08 / Driving Mode
Not CarPlay. Not Android Auto. Driving Mode reads your phone's telemetry — g-force, average speed, cornering, distance — tells spirited from raging, and shifts the music to keep you alert, calm, or sane in a jam. Then it grades the drive: your session, scored as an album.
Several visualisations — some free, more in Pro · Apple or Tidal sub required
09 / Nerd Out
Lore on the artist, the producer, the engineer. The BPM of every track. The deadwax, the pressing plant, the session cats. See all the Bob Ludwig cuts on your shelf, the artists you've completed — yeah, we see you — and a career arc from debut to sellout.
→ Stats for nerds
47
Cut by Bob Ludwig — on your shelf
12
Artists completed · 100%
Career arc · Bowie
10 / Bonus · The Matchmaker
Two Discogs accounts become one shelf — your polka next to their exotica. The Clerk merges them and roasts how compatible you really are. Couples, roommates, whole households: signing a lease together is easy. Agreeing to mix two record collections in one app? That’s commitment.
FREED
Real collectors. Real shelves. Every cover here belongs to someone who stopped staring and started listening.












Most "AI assistants" just give you the safe consensus answer. The Clerk gives you a proper opinion — exactly like the lad behind the counter at the record shop would.
He reads your collection, your liner notes, your pressing data — and then tells you what he actually thinks. He's a feckin' smart-arse about it. That's a feature, not a bug.
› tell me about this pressing of demon days
Oh, 2005 Parlophone UK first press — VG 8000. Mastered by Frank Arkwright at Abbey Road. Two LPs, 180g virgin vinyl. The bass on "Feel Good Inc" hits completely different than the 2014 repress because Arkwright used the original analogue masters, not the digital bounce they used later. You can literally hear the tape saturation on "November Has Come." This pressing goes for about $120–150 now.
› what else should I know
Dan the Automator mixed at Kong Studios — same board Bowie used for Heathen. De La Soul recorded their verse for "Feel Good Inc" in one take, sent the file over, Damon built the bassline around it. Danger Mouse produced half this album from a cupboard in the back of the studio because the budget was already gone. That cupboard energy is why the lo-fi tracks hit so hard. You're welcome.
› build me a sunday playlist from my shelf. nothing after 1975
"Sunday, Slow" — 47 min, all yours: Nick Drake Northern Sky · Bill Withers Grandma's Hands · Terry Callier Dancing Girl · Labi Siffre I Got The… · Gil Scott-Heron Lady Day and John Coltrane · Shuggie Otis Strawberry Letter 23 · Minnie Riperton Les Fleurs. All pulled from your shelf. Want a Saturday-night version?
You've built what I'm calling the Mike Patton Cinematic Universe — Faith No More, Mr. Bungle, Fantômas, Tomahawk, all accounted for. But your Soundgarden situation is criminal. Two albums when Cornell put out six with that band alone. Fix that shite.
I'm not a Silicon Valley suit trying to monetise your listening habits. I'm a music nerd who got sick of soulless, clinical apps that quietly sell your data to brokers and call it a feature.
I built Gatefold for us. The lights stay on two ways: Mosh Pit subscribers, or albums you discover and buy through the app. That's the whole business model. Print it on the back of a flyer.
No tracking pixels. No "strategic partnerships" with data companies. No 47-tab onboarding. You fund the code, I keep building the ultimate crate-digger's companion. Deal?
Want a feature built? Don't email us. Don't fill out a Notion form. Don't tag us on Threads. Come to /r/gatefoldfm and ask for it. If it's deadly, I'll build it. If it's pure shite, someone in the comments will explain why. That's the whole product roadmap.
No minimum collection size. Ten records is enough. The Clerk needs about that much before he can start finding patterns and taking the piss out of your gaps.
Free works forever. The Mosh Pit unlocks FREE PLAY — unlimited Quarters, premium model, every roast he can think of.
Everything you actually need to enjoy a collection: import, sync, search, scan, the daily spin pick, and a Clerk on a weekly Quarters allowance who will still mock you for free.
FREE PLAY. Smarter Clerk, unlimited everything, and the deep tools — a pressings discover card (OG / reissue / audiophile, side by side), custom notes on every album, multi-account Discogs, one-click two-way sync to Apple Music or Tidal. The flag drops, the machine never asks for another quarter.
Import your collection in a minute or two. The Clerk's already got your first pick lined up. Free forever. Works with 10 records or 10,000.